And the finishing on this watch is pretty special – I’d even go so far as to say it’s the standout feature when you really take a step back and look at it. The most impressive bits, to me, are the razor thin polished chamfers running down the side of each link of the bracelet, which of course echo the wider polished bevels on the case sides. I also love the way the brushing pattern on the bezel is an extension of the sunray brushed dial. It’s aesthetically pleasing and gives the entire presentation a level of coherence that wouldn’t be there if the Zenith had elected to use a ceramic bezel (as it does on the steel models) rather than titanium. Like I said, they went all in on titanium here.
The El Primero traditionally has a tri-color subdial arrangement, and Zenith achieves that here while still ensuring the totality of the watch is gray on gray on gray. A white register at 9:00, a silver one at 6:00, and a dark gray at 3:00 allow the wearer to easily differentiate between them while maintaining a look that’s predominantly monotone. Red tipped hands on the chronograph counters further enhance legibility.
On the 4:30 date window, I’ll say this, and paraphrase Tony Soprano: arguing about it is the lowest form of conversation. The El Primero’s 4:30 date window is like the cyclops magnifier on a Datejust in that it’s just fully baked into the design of the watch at this point. You might as well complain that dogs bark, or that the ghost pepper is too spicy. While Zenith will very occasionally release a chronograph without a date window, 4:30 dates are more often than not the order of the day. I’m pretty agnostic on this always contentious issue, and while I’d probably prefer no date at all, I think on a dial with this particular subdial layout, a 4:30 date window is completely acceptable, natural, and exactly fine. I’ll save my strong opinions for other topics, like the absolute inanity of trying to “predict” what any brand will release at Watches & Wonders, and that Prometheus is quite possibly the second best movie in the Alien franchise.
If the Chronomaster Sport in titanium has a flaw, it’s the thing that makes it what it is: the singular monotone nature of the entire piece. This, I think, is a love-it or hate-it design decision, and one that will divide watch collectors between the hardcore tool watch enthusiasts and those who tend to go for something a little more flashy. I am admittedly part of the second group, more often than not, but I think that in order to create something truly distinctive and outside the shadow of Daytona, this was really the only option. It’s a satisfying and well-made if incredibly light thing, to be sure. My only concern is that if I found it in my own watch box on a permanent basis it might not sing to me as often as some of my watches with more color. On the other hand, if you’re looking for the tooliest iteration of the Chronomaster Sport yet (and perhaps the tooliest watch Zenith makes at the moment), this is the one. Zenith